Pichwai paintings are devotional works traditionally created for temple settings, where narrative, symbolism, and fine detailing come together in luminous harmony. Often centred on Shrinathji or pastoral Krishna lore, these artworks balance intricacy with serenity. Vintage examples possess a particular depth of pigment and patina, offering collectors a sacred art form shaped by time and devotion

GHATCHOLA SAREE

These decades-old Ghat Chola sarees embody the quiet grandeur of Gujarati bridal and ceremonial tradition. Woven in silk and adorned with intricate zari grids and auspicious motifs, each piece reflects the craftsmanship of its time. Preserved with care, they carry not only textile excellence but the memory of rituals, inheritance, and celebration stitched into every thread.

MATA NI PACHEDI

Mata ni Pachedi, meaning “behind the Mother Goddess,” is a sacred painted cloth shrine created by Gujarat’s nomadic Vaghari community. Denied entry into temples, they transformed fabric into their own sanctified space, offering these works in devotion to Mata. Known as the “Kalamkari of Gujarat,” it is marked by bold lines and powerful colours that reflect the goddess’s strength. The central figure of Mata is always hand painted, often depicted enthroned or standing on her animal mount, while surrounding motifs are painted or block printed, creating a striking and deeply devotional composition.

CHAKLA TEXTILE

Chakla textiles, originally crafted as ceremonial square cloths, are distinguished by their geometric precision, mirror work, and embroidered symbolism. Once used in ritual and domestic settings, they now stand as striking wall hangings that celebrate Gujarat’s textile heritage. Each vintage piece reflects patient handwork and a vocabulary of motifs passed down through generations